After a 95-day New year blockbuster bombardment, the film market will inevitably enter a relatively moderate period of adjustment, which is the legendary March off-season movie market. However, the off-season of the film market in March this year is completely different from the past. Although domestic films are still lukewarm, with the release of Hollywood blockbusters such as "Super Marines", "Jupiter up", "Paddington Bear" and "Cinderella", the film market in March ushered in a brilliant spring. In the brilliant March, only Andy Lau starred in the national release of "lost Orphan" on March 20, the only domestic blockbuster that can compete with Hollywood blockbusters.

Liu Dehua appeared on the stage of the 2015 Spring Festival Gala ten years later. "the way home" is not only the theme song of the 2015 CCTV Spring Festival Gala in the year of the Goat, but also the theme song of the movie "lost Orphan". On the stage of the Spring Festival Gala, accompanied by the movie "lost Orphan", the mood of the audience was pulled to the extreme, and people could not help but be moved by the vicissitudes of Andy Lau's singing. "the way home" after the Spring Festival Gala moved the country, people are also full of expectations for the film "lost Orphan". Lost Orphan is a film about the theme of anti-abduction, which arouses people's attention to the problem of anti-abduction in a realistic way, and makes the audience experience the pain and sadness of the victim with a strong sense of substitution.

It is not the first time that the anti-trafficking film has been on the big screen. Last year's National Day hit "Dear" is the same theme film, which can be regarded as a pearl in front, but by contrast, "Dear" tells only a story. "lost Orphan" is about an event; "Dear" is about the evil of human nature, while "lost orphan" is about the goodness of human nature; "Dear" plays the tear gas card, while "lost Orphan" plays the touching card. Although "dear" makes me cry confusedly, I personally prefer "lost orphan". The reason is very simple. "lost orphan" is more comprehensive. The story is narrated in three lines: a child who has just been lost, a child who has been abducted and grown up. A father who has been looking for a son for 15 years has explained the evil caused by anti-abduction from many angles.

A newly lost child is the same as Huang Bo's lost child in "Dear", a mother is struggling to find it in the vast sea of people, and is also found through the power of society, the explosive power of this story is not too strong and slightly thin. On the other hand, a child who has been abducted and has grown up is a new perspective. Zeng Shuai represents a group and echoes Lei Zekuan, who has been looking for his son for 15 years. Not only are parents looking for lost children, abducted children are also looking for their parents. Zeng Shuai and Lei Zekuan set out on the road to find relatives together, and the two established a father-son friendship on the way, which is the most prominent highlight of the film.

Although "lost Orphan" is not a literary film, but the film is different from the commercial film, has a high aesthetic, can move me a lot of points, left me a lot of deep impression. Zeng Shuai and Lei Zekuan were resting in the bathroom. Lei Zekuan pressed his leg on Zeng Shuai's body. Lei Zekuan turned over after taking off his leg. "your family is afraid that you will lose it when you sleep," Lei Zekuan asked. "go straight to the bottom of my heart. Because of the fear of losing his son, Lei Zekuan worried about losing Zeng Shuai again after falling asleep. The expression of this emotion is very heart-wrenching. When Zeng Shuai wanted to stretch his legs against the pressure, he was slapped by Lei Ze. At this time, the scene was very warm, and the two, like father and son, relieved their heart-wrenching emotions in an instant.

The dinner scene between Zeng Shuai and Lei Zekuan was also very moving. Lei Zekuan sandwiched the eggs into Zeng Shuai's bowl, and Zeng Shuai put them back on the plate. Lei Zekuan once again sandwiched them to Zeng Shuai, but Zeng Shuai did not put them back into the plate, but put them in Lei Zekuan's bowl. it was not that Zeng Shuai abandoned Lei Zekuan, but that they all wanted to eat more good food for each other, even though it was just a plate of Scrambled Egg with Tomato. The director uses the details of life to express the feelings that father and son are better than father and son. A simple meal can no longer be simple, but it makes people feel the true feelings of father and son towards each other, although their words are not smooth. But it doesn't affect their emotional communication at all.

Speaking of this, I have to say that Lei Zekuan and Zeng Shuai seem a little abrupt in the dialogue. Since both Lei Zekuan and Zeng Shuai have lost loved ones for many years, it is normal to be different from normal people in emotional appeal and expression. Because Lei Zekuan regards Zeng Shuai as his son, and Zeng Shuai also regards Lei Zekuan as his own father. Although this emotion is not clearly expressed in the film, many scenes pave the way for this unrelated relationship between father and son. When Zeng Shuai and Lei Zekuan walked in the busy city, Lei Zekuan turned around but could not find Zeng Shuai. That kind of fear could only be found after the biological father found his lost son. After finding Zeng Shuai, Lei Zekuan let Zeng Shuai walk in front. At this time, Lei Zekuan was attracted by a child in the car, and the two separated again. After finding Lei Zekuan, Zeng Shuai complained loudly, one of them was afraid of losing again, the other was afraid of being lost again. The play confirmed the father-son relationship between the two. In fact, their trust in each other is emotional, but he does not know how to express this feeling to his relatives.

In fact, as a child who has been abducted and knows his life background, Zeng Shuai's personality and growth are not sound, because his heart has been frozen before he was abducted, and his longing for family and affection all stay at the time of loss. Human traffickers pulled off their wings, their affection, their feelings, and their spiritual growth. So in the film Zeng Shuai will constantly emphasize his memory: bamboo forest, iron cable bridge, mother's braids, because only this memory can make people feel the hope of going home, no matter how old Zeng Shuai grows up, there will always be a lonely child in his heart. The role of Zeng Shuai is very full, and it is also the one that brings me the most feelings in the whole film.

After watching "lost Orphan", I would like to thank director Peng Sanyuan for bringing us such a touching and socially meaningful film. With all kinds of details, I no longer just pay attention to anti-trafficking, but have the idea of being a volunteer. After watching "lost Orphan", Zeng Shuai moved me, so I went to watch the large-scale CCTV pro bono program "waiting for me". At first, I only knew that Ni Ping was hosting such a program and did not pay attention to it. After watching all the programs, I found that the movie "lost Orphan" really restores the feelings of parents who have lost their children and abducted children in real life. Especially for the wonderful performances of Andy Lau and Jing Beran, I would like to thank them for starring in such a film of social significance and to give praise for their superb acting skills.

In the program "waiting for me", Ni Ping always says a happiness password when she opens the door of hope: find for fate and stick to love. This sentence is also the happy code of "lost orphan". Lei Zekuan and Zeng Shuai in "lost orphan" are only the epitome of tens of thousands of abducted families. What "lost orphan" expresses is not to persist in seeing hope, but to see hope because we persevere. So let's look for fate and stick to love.