Suzhou gardens are in the south of the Yangtze River.
The golden powder of the gallery is half scattered, and the moss of the pool hall is green. Tread grass afraid of mud new embroidered socks, cherish flowers hurt little golden bell. The lyrics of this song seem to be written specifically for Suzhou gardens, and this artistic conception seems to be born only in Suzhou gardens. Walking into the Suzhou classical garden will immediately be deeply attracted by the beautiful scenery inside, there is a feeling that people are swimming in the painting, no matter where they go, there are always perfect pictures in front of their eyes. Pavilions, corridors, rockery, ponds, ancient vines, rugged branches, flower walls and corridors, carved doors and windows, white walls and gray roof tiles, eaves leak, combine to form a beautiful picture. Is to read the couplets outside the hall, East Garden carrying wine, West Garden drunk, South strangers looking for flowers and North Momo. The sleeping stone listened to the loose color of Tao's shirt and opened the door to see the sound of banana in the rain. I already realized the artistic conception in the garden.
When I walked into the 36 mandarin duck house in the Humble Administrator's Garden, I caught up with a group of tourists listening to the tour guide. She said that the plants on the other side were green through the white glass, while through the blue glass, there was a layer of snow on the leaves. Act in the same way, and if so! I found it very interesting.
Listen to the guide: Suzhou gardens pay attention to the layout of pavilions and pavilions, the cooperation of rockery and ponds, the contrast of flowers, plants and trees, and the level of close vision. Most of the buildings in our country, from ancient palaces to modern general housing, are symmetrical, like the left side and the right side. Suzhou gardens do not pay attention to symmetry, as if deliberately avoiding it. There is a pavilion or corridor in the east, but there will never be the same pavilion or corridor in the west. If two or more bridges are arranged, one will be the same, and it will never be the same. The edge of the pond or river is rarely neatly laid stone bank, always high and low buckling let nature take its course. Reading and appreciation of American articles
The trees planted and trimmed in Suzhou gardens also focus on painting. Tall trees and low trees are pitched. Deciduous trees and evergreen trees alternate with each other, flowers are different from each other, so you don't feel lonely all the year round. There are no pines and cypresses trimmed like pagodas, no parade-like roadside trees: because according to the aesthetic point of view of Chinese painting, this is not enough. There are old vines in some gardens, and the rugged branches are a good picture. When it blossoms, it is full of jewelry, which makes visitors feel unlimited prosperity and joy, but it is impossible to say it.
The flower walls and corridors in the garden are separated by walls and bounded by corridors. With more layers, the scenery can be seen deeply. However, there are all kinds of brick hollowed-out patterns on the walls, and most of the porches have nothing to rely on on both sides. in fact, they are separated but not separated, and the boundary is not bounded, thus increasing the depth of the scenery. The doors and windows in the garden, pattern design and engraving kungfu are all the best in arts and crafts. those doors and windows are as meticulous as possible but never vulgar, even if simple and ingenious. Four, eight, twelve, taken together, everyone should admire that this is a high degree of graphic beauty.
Walking through several beautiful gardens in Suzhou, what impressed me most was the simple and ancient Canglang Pavilion. It is the oldest existing garden in Suzhou. At that time, Su Shunqin bought land for 40,000 yuan to build a garden, and his good friend Ouyang Xiu gave him a poem: the breeze and bright moon is priceless, but it is a pity that it only sells for 40,000 yuan. Later generations extracted a sentence from Su Shunqin's poem "passing through Suzhou" and skillfully synthesized a pair of couplets: the breeze, the moon and the moon are priceless, and there is love in both the water and the mountains. Today, this pair of couplets, which almost become Suzhou tourism advertisements, are still engraved on the quaint pillars of Canglang Pavilion. Canglang Pavilion, because of its antiquity, quiet, without the slightest trace of gold powder, makes me remember her. Her pavilions, pavilions and winding corridors seem to grow out of fluffy flowers and mountains and rocks. The black tiles, ancient trees and green bamboo are like Song ci growing on moss, and together with other gardens, Suzhou is graceful and beautiful.
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